Rouse Company Foundation Student Services Building

THET-251 Shakespeare from Page to Screen

This course focuses on reading, analyzing and interpreting Shakespeare's plays as they have been adapted to film, and understanding them as products of specific historical, cultural and artistic currents, as performance text meant for production within the constraints of the medium of film.

Credits

3

Prerequisite

ENGL-121

Hours Weekly

3 hours weekly

Course Objectives

  1. 1. Identify and apply critical theories and concepts related to enduring and contemporary issues
    of aesthetics and creativity by using basic literary and theatrical concepts, elements, and
    stylistic characters.
  2. 2. Articulate and evaluate the dramatic script and its structure, form, and style as it relates to
    issues of aesthetics, humanism, and meaning.
  3. 3. Explain and demonstrate innovation and risk-taking in following the steps necessary to bring
    a Shakespearean play to film from acting, directing, and design perspectives.
  4. 4. Develop techniques to pose and address questions for analyzing and evaluating scripts from
    diverse, modern, social, intellectual, and historical contexts in which Shakespeare’s plays
    were produced.
  5. 5. Evaluate the ongoing power of Shakespeare’s plays to illuminate the human condition and
    the search for meaning.
  6. 6. Perform basic research and use MLA-style documentation demonstrating the standard
    conventions for writing about theatre.

Course Objectives

  1. 1. Identify and apply critical theories and concepts related to enduring and contemporary issues
    of aesthetics and creativity by using basic literary and theatrical concepts, elements, and
    stylistic characters.
  2. 2. Articulate and evaluate the dramatic script and its structure, form, and style as it relates to
    issues of aesthetics, humanism, and meaning.
  3. 3. Explain and demonstrate innovation and risk-taking in following the steps necessary to bring
    a Shakespearean play to film from acting, directing, and design perspectives.
  4. 4. Develop techniques to pose and address questions for analyzing and evaluating scripts from
    diverse, modern, social, intellectual, and historical contexts in which Shakespeare’s plays
    were produced.
  5. 5. Evaluate the ongoing power of Shakespeare’s plays to illuminate the human condition and
    the search for meaning.
  6. 6. Perform basic research and use MLA-style documentation demonstrating the standard
    conventions for writing about theatre.