WMST 270 Women and Film

This course uses film to explore the human search for meaning, through examining films written and/or directed by women, featuring women, and focusing on women’s experiences. Engaging a wide variety of worldviews, the focus is on the creative and risk-taking strategies women choose in order to navigate systems of race, class, gender, and sexuality, while pursuing meaningful lives for themselves, their families and communities. The course draws on the arts, media, and popular culture to analyze the worldwide impact of gender expectations in shaping and limiting societal roles, as well as women’s innovative strategies for expanding and enhancing them.

Credits

3

Prerequisite

Eligible to enroll in ENGL 121

Hours Weekly

3

Course Objectives

  1. 1. Explore the power of gender constructs facing female film characters and the innovative,
    creative, and risk-taking strategies they invent to skillfully navigate the intersectionality of
    race, class, gender, and sexuality, while pursing meaningful lives for themselves, their
    families, and communities; analyze whether a film portrays female characters as
    subjects – agents in their own lives, able to act on their own behalf and craft their own
    destiny – or objects – passive recipients of dramatic action.
  2. 2. Analyze the range and diversity of roles available to women of color and portraying
    lesbian, bisexual, and transgender women in film; explore the roles available to female
    characters during a range of historical time periods and in films from a variety of
    cultures; analyze the power of female film characters to expand or contract imaginative
    possibilities for female film viewers.
  3. 3. Analyze the power of the female director to broaden and deepen the portrayal of female
    characters in film; explore several female film directors in the role of auteur.

Course Objectives

  1. 1. Explore the power of gender constructs facing female film characters and the innovative,
    creative, and risk-taking strategies they invent to skillfully navigate the intersectionality of
    race, class, gender, and sexuality, while pursing meaningful lives for themselves, their
    families, and communities; analyze whether a film portrays female characters as
    subjects – agents in their own lives, able to act on their own behalf and craft their own
    destiny – or objects – passive recipients of dramatic action.
  2. 2. Analyze the range and diversity of roles available to women of color and portraying
    lesbian, bisexual, and transgender women in film; explore the roles available to female
    characters during a range of historical time periods and in films from a variety of
    cultures; analyze the power of female film characters to expand or contract imaginative
    possibilities for female film viewers.
  3. 3. Analyze the power of the female director to broaden and deepen the portrayal of female
    characters in film; explore several female film directors in the role of auteur.