300

A studio/performance-oriented course designed to provide a more intensive investigation into the ceramic art medium. Emphasis is given to the development of a more personalized aesthetic approach, kiln firing and glaze development.

A studio/performance-oriented course designed to give intensified experience in sculptural form with emphasis on individual experimentation and competence in one or more sculptural materials.

A studio/performance-oriented course that is a continuation of ART 231, 232, and 233.

A studio/performance-oriented course that is a continuation of ART 102 and 209, with emphasis on the relationship of advanced principles to pictorial organization and drawing as a final form.

A studio/performance-oriented course that is an introductory study of the creative processes associated with the graphic design field. Emphasis on creative problem-solving, basic design principles and the integration of type and imagery as applied to realistic graphic design problems. Laboratory fee required.

A studio/performance-oriented course designed to increase students' technical knowledge and ability for individual expression. Problems involve multiple imagery, serial photography and other exercises to increase students' creative potential. Encourages experimentation with larger format as well as other aspects of the photographic medium.

A studio/performance-oriented course designed to increase students' understanding of typography as it relates to visual communication and graphical expression while exploring both traditional and nontraditional forms.

A studio/performance-oriented course that is a continued exploration of graphic and time based tools with emphasis on the creative usage of programming languages. The class will be centered around the interactive manipulation of traditional and experimental time based media and graphics. Laboratory fee required.

A studio/performance-oriented course that is an advanced Web design and production class addressing the history and culture of the Internet and exploring the Web as a domain for publication and expression for online producers. Special emphasis is placed on defining the differences between client-side and server-side creations, and how these affect the content and presentation of the information on the Web. It also emphasizes the evolution of multimedia into hypermedia through the use of client/server tools, Web services, programming languages and databases. Laboratory fee required.

A studio/performance-oriented course that investigates three-dimensional computer animation, including advanced techniques of modeling and animation. This course also includes necessary aspects of texture mapping, character rigging, motion control, animation principles, digital lighting, virtual camera principles, particle effects, dynamics and rendering. Laboratory fee required.

A studio/performance-oriented course that emphasizes the development of the creative process as applied to design problem-solving. Focus is on the development of ideas and the tools used to execute design solutions. Subjects covered include publication, branding, advanced typographic application, packaging, and various other print-related subjects. Laboratory fee required. Laboratory fee required.

A studio/performance-oriented course focused on the advanced study of graphic design as it relates to higher levels of industry-related application. A more in-depth exploration of conceptual thinking, typography and investigative tools used to solve communicative problems will be the primary focus of this class. Laboratory fee required.

Overview of art therapy as it applies to children and adolescents. Explores the development and psychology of art as indicators of a child’s experience. Students will learn to apply their foundational art therapy knowledge to work with a variety of child and adolescent populations.

Overview of art therapy as it applies to the complications of adult life experiences. Explores the intrinsic therapeutic value of adult art expressions and their ability to serve as a form of metaverbal communication. Students will learn to apply their foundational art therapy knowledge to work with a variety of adult client populations.

A studio/performance-oriented course that explores the therapeutic properties of art media and techniques through direct engagement. Processes will be assessed for their appropriateness with a variety of client populations and potential to assist in meeting specific treatment goals. Students will learn how to convey the richness of their own experience through art in order to more effectively and empathically elicit therapeutic art from clients.

The course objective is to professionalize the implementation and production of animation techniques, including the use of computers. Advanced projects deal with specific problems and exercises in drawing, storyboard and script/visual analysis. May not be used to satisfy general distribution requirements. Laboratory fee required.

This course involves investigations of descriptive painting from the human form. Issues of light, space and color interaction are stressed. Students study both from the old masters and contemporary paintings, as well as from the live model. Students investigate both perceptual and conceptual approaches to painting the figure. The final goal is for each student to begin to realize their own style and to channel it toward a successful figure painting.

This course explores the fundamental principles of abstraction and examines the way artists interpret their visual experiences. A strong emphasis on color, composition, alignment, texture and shape relationships is emphasized. This class familiarizes students with the ways and means of abstract art and encourages each individual to approach abstraction in a way sympathetic to his or her state of consciousness. Students are encouraged to consider their identity, ethnicity, preference to subject matter and awareness of self. The class addresses different approaches to abstract painting in regard to technique, theory and history.

This course is an introduction to the art and history of the book. It includes studio experience with letterpress printing, typography and typesetting, principles of editing and publishing, creative writing, graphic design, illustration, papermaking and bookbinding. The primary aims of the class are to introduce students to the aesthetic, cultural and material dimensions of the reading experience, to enhance their understanding of how physical and visual presentation shapes a reader’s perceptions, and to introduce the history, craft and art of the physical book. Equivalent to ENG 370.

For this 0-credit course, art students submit to the faculty for critique a portfolio that includes a small selection of the best pieces from each studio course taken at the University and from any institution from which UT has accepted credits. The portfolio is reviewed by no fewer than two faculty members. All portfolios are digitally documented. Students concentrating in art history submit a writing portfolio consisting of research papers completed in each art history class taken at UT or any institution from which UT has accepted credits. Unacceptable portfolios in both cases must be resubmitted no later than the end of the following semester.